On one occasion I was present at a dance, when a roving herd from Texas had encamped in their village. The entire carcass of a deer was roasting before a large fire, which threw its light a long distance among the trees under which they were assembled. When they had formed in a ring, men and squaws alternately, a sort of Indian fiddle set up an indescribable tune. It was a continuous, melancholy kind of wavy sound, with the slightest possible variation. At the first note, if indeed there was more than one note in the whole tune, they circled around, trotting after each other, and giving utterance to a guttural, sing-song noise, equally as nondescript as the music of the fiddle. At the end of the third circuit, they would stop suddenly, whoop as if their lungs would crack, then break from the ring, forming in couples, man and squaw, each jumping backwards as far as possible from the other, then forwards—which graceful feat having been twice or thrice accomplished, they would form in a ring, and go trotting round again. The best dancer appeared to be considered the one who could whoop the loudest, jump the farthest, and utter the most excruciating noise. At intervals, one or more would leave the dancing circle, and going to the fire, cut from the roasting carcass a slice of venison.